The annual Contact Photography Festival is taking place through the month of May. Unlike the other famous Toronto festivals, including HotDocs and TIFF, this one is completely free – so there are no excuses – check some stuff out!
This year’s theme is “Pervasive Influence: Exploring the social and political consequences of the medium of photography, in a world devoted to the image.”
The following is from the Contact website:
“…In this era of instant information the image is stimulating unprecedented change in the way we communicate… In 1964 Marshall McLuhan wrote of the photograph as “the brothel without walls”. He described photographs as “dreams that money can buy” which could be “hugged and thumbed more easily than public prostitutes.” If we consider his metaphor within today’s global culture rife with image saturation, is the illusion images create now preferable to reality? …Is its ability to convey meaning now diluted by the widespread dissemination of images?
CONTACT 2010 will consider the ways in which photography informs and transforms human behavior. The festival will recognize the influence of Marshall McLuhan, on the 30th anniversary year of his death. We will present images that examine connections between mass media, advertising, art and photography.”
Primary Exhibitions include:
The Brothel Without Walls – U of T Arts Centre
Susan Anderson, Evan Baden, Douglas Coupland, Jessica Dimmock, Marina Gadonneix, Clunie Reid, Stefan Ruiz, Joachim Schmid, Christopher Wahl
http://scotiabankcontactphoto.com/primary-exhibitions/182
Media satirist Barbara Kruger — AGO – Art Gallery of Ontario – installation
http://www.nationalpost.com/arts/story.html?id=2962693
Toronto Star Recommended exhibits by writer Murray Whyte
http://www.thestar.com/entertainment/whatson/article/801893–contact-festival-plenty-of-eye-candy-in-the-brothel-without-walls
Murray Whyte’s recommendations (first 3):
1. The Mechanical Bride, Museum of Contemporary Canadian Art: The festival is heavy on Marshall McLuhan this year — the exhibition title is borrowed from the legendary media theorist’s book of the same name — and, in a nutshell, tries to embody his remarkably prescient notion that photography was being enslaved by an advertising industry amping up seductive lifestyle appeals as a way to push product, with the female form as the main lure. Imagine that. Here, 60 years on, artists like LaChapelle, with a disturbingly robotic image of Lady Gaga, and Dana Claxton, who filters the appropriative gloss of marketing through her lens of First Nations’ experience, underscore McLuhan’s role as a soothsayer, proving him right, only more so. May 1
2. The Brothel Without Walls, University of Toronto Art Centre: Further on the McLuhan theme — in his landmark 1964 book Understanding Media, he called photographs exactly that, and “dreams money can buy”— this show includes work by, among others, Douglas Coupland, Jessica Dimmock and Evan Baden, whose images of amateur online exhibitionists seem to take McLuhan’s notion, of an artificial reality spurred by the easy ubiquity of picture-making, to its logical extreme. May 1
3. Untitled (It), Art Gallery of Ontario, Dundas St. façade: For decades — long before it became a de rigueur street-art standard—Barbara Kruger’s withering satires of advertising in the public realm made her an art-world superstar. Kruger’s iconic aesthetic of text and found images speaks advertising’s language of vapid non-sequitur-ese so fluently, at first glance, as to be near-indistinguishable; a double-take yields results both hilarious and sobering. Here, she festoons the AGO’s 90-metre-long Dundas St. glass awning with a new work commissioned specifically for the festival — a coup
